Feel The ‘Energy’ Of Rising Producer KEISHH’s ‘Beats With KEISHH’ Collaborative Series

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Brooklyn, New York
 – Emerging producer and beatmaker KEISHH announces the debut of her innovative Beats with KEISHH: Energy series. In her inaugural video series, the Brooklyn, NY-based artist unites with rappers Donwill, Miss Eaves and Nappy Nina and creates memorable musical canvases for their unique freestyle sessions.

“The first series I’m presenting is called ‘Energy.’ The word energy was chosen as I’m constantly learning how to only surround myself with things that give me enough energy in order to be my most creative self,” KEISHH says about her inspiration behind the series. “Without much insight as to why the word energy was chosen, I pushed the artists to rap about whatever came to mind when they heard that word.”

The first installment of the Beats with KEISHH: Energy series premieres on Thursday, February 8, 2018 with featured artist Donwill taking center stage. The rapper, producer, host, DJ and member of the group critically-acclaimed group Tanya Morgan spits fire over an equally hot beat laced by KEISHH. Subsequent weekly episodes will showcase KEISHH’s frequent collaborator, multimedia artist Miss Eaves (releasing on Thursday, February 15, 2018), and Oakland-born, Brooklyn-based emcee Nappy Nina (dropping on Thursday, February 22, 2018) furiously flowing while KEISHH lays the tracks.

Click here to view the first episode.

“Over the years I’ve gotten to collaborate with a lot of talented artists,” KEISHH shares, “and I’m honored whenever my music can paint a landscape for something they’ve been meaning to say.“

Hear what these artists have to say when the Beats with KEISHH: Energy series debuts exclusively on KEISHH.com beginning on Thursday, February 8, 2018 at 7 PM EST. Keep up with KEISHH on social media on Instagram, Facebook and Twitter.

About KEISHH: KEISHH is a music producer that went from playing around with software programs in her family’s basement in Maryland, to collaborating with other artists on her college campus. She grew up heavily inspired by Missy Elliott, Timbaland and Pharrell Williams. You can hear her influences in her sound, which is a mesh of glittering synths and hard 808s. The most recent project she produced for artist Miss Eaves, titled Feminasty, received press from NPR, Billboard, Fader, Elle, The Cut, The New York Times and featured their song “Hump Day,” which landed in an episode of HBO’s Insecure. The single “Thunder Thighs” garnered over 1.5 million views.

Producer Profile Interview: EmmoLei Sankofa


This profile is dedicated to introducing everyone to EmmoLei Sankofa. A woman of many talents, EmmoLei is an American composer, producer, singer-songwriter, sound artist and percussionist. Her passion for music is driven by the desire to push it forward and to challenge listeners to expand upon how they perceive sound and couple that perspective with moving visuals. EmmoLei agreed to answer a few questions about her production work for the Gender Amplified blog. Check it out!

What first sparked your interest in music production?

I’ve been playing and creating music all my life. It was bound to happen. I come from a musical family as well. What I will say though, is that a friend of mine – Stephen Jones – made a song for a social studies project we had in middle school. After his group presented, I asked him immediately how he made it and he introduced me to FL Studio. That was the day I began pursuing music production.

Tell us a little about the first track you ever produced.

Wow this is a little foggy. I still actually have a few of the very first songs I produced or…I guess tried to produce. But, I think the first thing I tried to produce was inspired by Art of Noise’s “Moments In Love” record. It was definitely an instrumental and had quite a bit of potential. When I listen to my old music, I always think of this Ira Glass quote:

Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer.

It goes on, but you get the point.

What inspired you to produce “Relax”?

Relax was birthed out of a 30-day audiovisual series called, JustBcuz, that I recently did as a challenge to myself. The framework for “Relax” was created on the 4th day. When I wrote what is now the chorus, I was thinking about the anxiety I observed across the internet and within various peer groups about life. Then, I thought about myself. I’m not sure what my life looks like to everyone else, but the past couple years here in LA hasn’t completely been a crystal stair. I essentially pulled from the collective consciousness of what was closest to me and assessed my own life. I was giving myself, and what turned out to be many other people, advice.


You used Landr’s distribution platform to release it. What advise would you give other independent artists who are trying to better distribute their music?

Do your research on what distribution outlets are available, assess what your goals are, and then do what makes sense. Right now, I prefer the DIY option through LANDR because it just makes sense. And, I’m not even trying to plug. But, I’m always on the lookout for things that better oil my machine. Also, try to pinpoint where people are consuming your music the most and focus your energy there.

What types of gear and software do you use to produce?

Software: Logic Pro X Gear: Axiom 61, Keystation 32, Roland V-Studio 100(they don’t even make these anymore), Allen & Heath Zed FX, Blue Spark, and SM58. I use other things here and there, but this is the core.

Tell us about Bèl Son? What’s the core mission of this collective?

Bèl Son is creative audio company that I founded to help emerging filmmakers tell better stories and make better films by aligning more meaningful sound/music with their work. We compose music and sound, and synthesize the components to create beautifully, distinct experiences that really help them separate themselves from the crowd. Right now, we’re a team of three. Cindy Takehara Ferruccio, Xiao Hou, and Me.

4.2 (1)

You have a master’s degree from Savannah College of Art and Design. How does your background in visual art influence how you approach music production and the sonic arts?

Ah, well my MFA is in Sound Design. I didn’t go to SCAD for film or visual art per se. While a lot of my time at SCAD was about how sound and music interacted with visual media, the focus was how sound and music interacts with the world and all of the media we consume. I am a film composer so there are definitely things that I have to be in tune with and understand regarding any kind of visual work that informs what I implement creatively to support that media. People have often called my sound cinematic and that never came from me being into movies or anything. That came from playing in large ensembles like the symphonic band, percussion ensemble, and being exposed to opera, theater, etc. My mom played the violin so she would take me and my siblings to see the Atlanta Symphony Orchestra at least once a year and we’d go see other musicals here and there. I feel that I’ve always heard music differently than a lot of my peers because I was exposed to so many different genres. When I’m producing music, I am usually thinking about how a band would sound playing it. And, not just like a 5-piece band. I’m thinking about how it would sound arranged for an orchestra, marching band, jazz band, etc. The only thing I see when I’m producing music is what’s swirling around in my imagination. Scenarios I create, that relate to the music, or old situations that prompt feelings I use as inspiration to make the song.

What are your ultimate goals for your music career?

My ultimate goal is to be the best at whatever I touch. I have many interests and have set intentions that will unfold as I grow. I can’t tell it all. You just have to be strapped in for the ride.

What advice would you give to someone just starting out in music production? What is one piece of advice he/she should know?

The older I get, the more I hate giving advice because there is no one way to do anything and what may work for me may not end up working for you. However, I would say, at the root of it all, learn all you can about your craft. It only makes you better. Learn and understand music theory or at least become proficient on an instrument. It helps you realize your ideas more fluidly. Don’t close yourself off to new information when you think you’re good and the checks start rolling in. Things are constantly changing. Keep learning until you take your last breath. Also, LEARN THE BUSINESS.

Tell us where to find your music online.

Apple Music/iTunes
Bandcamp (full discography)
Google Play

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Producer Spotlight: Kiran Gandhi Combines Music and Activism to Inspire Social Change

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The ability to influence change through art is an aspiration for many professional creatives, but for producer, performer, and activist Kiran Gandhi, it’s a way of life.

Kiran Ghandi

Gandhi made international headlines last year after free-bleeding her way through the London Marathon, a decision she consciously made to impress upon the stigmas associated with female periods. In a piece written for TIME Motto, Gandhi addresses the negative effects of stigmas and how advocating for women’s rights benefits the greater good of humanity. “Stigma is one of the most effective forms of oppression because it denies us the vocabulary to talk comfortably and confidently about our own bodies… the menstrual cycle is the bedrock of the human race. Without it we wouldn’t exist. If we want to make the world a better place, we have to start combatting taboo now – and, in the process, make it easier for women and girls to access their fullest potential.”

After earning an MBA from Harvard Business School and touring internationally as the drummer for both M.I.A. and Thievery Corporation, Gandhi formed her own electronic music project under the stage name Madame Gandhi. With songs like “The Future Is Female” and “I Own My Own Body,” Gandhi is using her intellectual and musical talents to serve the end of social change. “I’m not a great singer or anything like that, but I have a message and I have stories that I want to express, and the best way to express them musically is to sing them.”

Gender Amplified Presents: Studio Politics Featuring Ebonie Smith

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Gender Amplified is proud to present ‘Studio Politics,’ a new web series that takes you in the studio with our founder and award-winning music producer and engineer Ebonie Smith. Known for engineering work on Hamilton (Original Broadway Cast Recording) and other notable projects, each and every episode Ebonie will take you behind the scenes to talk about the process of making music at the major level and working as a staff producer/engineer for Atlantic Records in NYC. There won’t be a dull moment as Ebonie produces and composes records on the spot and discusses music production and technology with a cast of talented collaborators and industry insiders. Tune in and SUBSCRIBE!

Studio Politics

Gender Amplified Presents ‘Pre Pro,’ A Web Series Featuring Joy Sandford

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Pre Pro

Gender Amplified is proud to present Pre Pro, a new web series by LA-based music producer and engineer Joy Sandford! Join Joy as she recaps her days and nights working with artists and engineering recording sessions. Her journey to the top is hilarious, informative and the basis for this awesome video journal about the ups and downs of chasing your dreams!

As an accomplished artist with technical training from the Clive Davis Institute of Recorded Music at New York University, Joy has worked for Atlantic Records and Daddy’s House Recording Studios, the studio home of legendary music label Bad Boy Records. As an artist on the rise, her story is inspiring and motivational to others just like her. These webisodes come to you each week on the official Gender Amplified Youtube channel. Tune in and enjoy!

Pushing Buttons Collective: Calling All Producers to Submit for Live Beat-making Battle

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Pushing Buttons Collective

Pushing Buttons Collective is a band of like-minded artists building community under the umbrella of instrumental music. The group hosts a radio series, Pushing Buttons Radio, that strives to showcase the best in instrumental beats and culture. The show runs the gamut from lo-fi to wonky, from instrumental hip hop to house, from broken beat to future beats.

Keeping with the spirit of its mission, on Friday, September 9th, Pushing Buttons Collective will host “Kicks and Snares,” a monthly beat cypher for producers at the Friends and Lovers venue in Bedford-Stuyvesant, Brooklyn, New York. The show will take place from 7-10pm.

Calling All Producers: If you’d like to be considered to showcase your live beat-making skills at this event, please submit your tracks directly to the group’s official email account pushingbuttonscollective@gmail.com!


Producer Spotlight: TokiMonsta = Dopeness

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Los Angeles native, TOKiMONSTA (Jennifer Lee) is known for her unique take on indie electronic/r&b/dance music. Her classical upbringing and eclectic music taste has allowed her to create vast textural soundscapes—a reverberation that fuses vintage sensibilities with progressive inclinations.


Her music has been recognized and praised by the very best in tastemaker and mainstream media. TOKiMONSTA has been featured on various large-scale radio programs such as: BBC Radio1 (UK), NPR (USA), BBC World Service (UK), J Wave (JP), Studio Brussels (BE), Radio Nova (FR), KCRW (LA) to name a few. Subsequently, DJ Mag, Pitchfork, The Guardian, XLR8R, Paper, LA Times, Dazed and Confused, SPIN, Wax Poetics, MTV, VIBE, Billboard, Rolling Stone, Sound and Recording and more have covered her. LA Weekly ranked her as 2010’s #1 female DJ in Los Angeles. Additionally, Resident Adviser did a full feature on her for their “Breaking Through,” an RA series, which focuses on the next big artist.


Not only has she caught ears of many as a different dimension of Los Angeles-based music, TOKiMONSTA is notably the first female to join Flying Lotus’ crew/label BRAINFEEDER, which is on the forefront of LA music scene.

TOKiMONSTA tours the world regularly as a live performer. Her performance is engaging as well as intricate—using new technology with pieces of musical and multimedia gear. She participated in the prestigious Red Bull Music Academy in London in 2010. In the summer of 2012, she was apart of the Full Flex Express tour, the first electronic music themed train tour that traveled across Canada with Skrillex, Diplo, Pretty Lights, and Grimes. She performed on the very first SS Coachella, which is Golden Voices’ first ocean cruise festival. Some notable past performances were at Coachella, Sonar Barcelona, DEMF, WMC, Electric Zoo, SxSW, Camp Bisco, Decibel Festival, with more scheduled in the future.

You can check out more of her music at soundcloud.com/tokimonsta!